THE GREAT MIGRATION BY FAITH
PRAISE THE LORD
ALL THOSE DARK FACED ANGELS GOING TO DIE TO HAVE THE PRIVILEGE
OF SERVING THE TRUE FAITH
AND THAT IS GREAT
Baghdad (IraqiNews.com) A report prepared by IraqiNews.com show that
more than quarter a million Iraqi volunteers are ready to fight the
elements of the Islamic State in Iraq and Levant.
The report shows that after the call of the religious authority Grand
Ayatollah, Ali al-Sistani, more than quarter a million Iraqi volunteers
ready to fight the ISIL elements.
More than 40 thousand volunteers in Babel, 50 thousand in Dhi-Qar, 30
thousand in Basra, 20 thousand in Maysan, 20 thousand in Muthana, 20
thousand in Najaf, 19 thousand in Karbala, 10 thousand in Diwaniyah and
seven thousand in Wasit.
MORE THAN A QUARTER OF MILLION NEED WEAPONS AND MAGIC CARPETS
called a flying carpet, is a legendary carpet that can
be used to transport persons who are on it instantaneously or quickly
to their DOOM ....
UM B-LOKI PRA GENTE DE FÉ OU DE FEZES OU MESMO DE FEZADAS E PRA FÉS SEM GENTE NENHUMA OU MESMO PRA CÁ FÉS SEM CÁ FÉ E NA...FÉ QUE MOVE MUNDOS E DÁ MUNDOS EXTRA AO MUNDO UNO OU AO DEUS ...É UMA QUESTÃO DE FÉ OU FALTA DELA
mardi 17 juin 2014
lundi 14 avril 2014
MARIDO - VIR SEXUM SIGNIFICAT MARITUS DE MAS OU MARIS MACHO - A DEFINIÇÃO SEGUNDO OS VICTORIANOS VEM DUM TEXTO DE SÃO ISIDORO- SPONDERE SPENDERE SPEND TO MAKE A OFFERING A RING TO BIND - PERFORM A RITUAL - IO SPENDO NUM SABE NADAR IÔ TU SPENDI LUI SPENDE TUTTI NOI SPENDIAMO TIME AND TIME IS MONEY - BUY A NEW WIFE GO ISLAMIC AND BUY THREE MORE
WORDS LIKE WORLDS INFINITE
Base sense probably "to hold," HABITUS - CONDIÇÃO ......POSSE
HAG VELHA BRUXA MULHER VELHA E SOLITÁRIA SOLTEIRA NÃO CASADA TABU
early 13c., "ugly old woman," probably a shortening of Old English hægtesse "witch, fury" (on assumption that -tesse was a suffix), from Proto-Germanic *hagatusjon-, of unknown origin. Similar shortening produced Dutch heks, German Hexe "witch" from cognate Middle Dutch haghetisse, Old High German hagzusa.
First element is probably cognate with Old English haga " SEPARADA DA SOCIEDADE enclosure, portion of woodland marked off for cutting" (see hedgE). Old Norse had tunriða and Old High Germanzunritha, both literally "hedge-rider," used of witches and ghosts. Second element may be connected with Norwegian tysja "fairy; crippled woman," Gaulish dusius "demon," Lithuanian dvasia "spirit," from PIE *dhewes- "to fly about, smoke, be scattered, vanish."
One of the magic words for which there is no male form, suggesting its original meaning was close to "diviner, soothsayer," which were always female in northern European paganism, and hægtesse seem at one time to have meant "woman of prophetic and oracular powers" (Ælfric uses it to render the Greek "pythoness," the voice of the Delphic oracle), a figure greatly feared and respected. Later, the word was used of village wise women.
Haga is also the haw- in hawthor, which is an important tree in northern European pagan religion. There may be several layers of folk etymology here. Confusion or blending with heathenish is suggested by Middle English hæhtis, hægtis "hag, witch, fury, etc.," and haetnesse "goddess," used of Minerva and Diana.
If the hægtesse was once a powerful supernatural woman (in Norse it is an alternative word for Norn, any of the three weird sisters, the equivalent of the Fates), it might originally have carried the hawthorn sense. Later, when the pagan magic was reduced to local scatterings, it might have had the sense of "hedge-rider," or "she who straddles the hedge," because the hedge was the boundary between the "civilized" world of the village and the wild world beyond. The hægtesse would have a foot in each reality. Even later, when it meant the local healer and root collector, living in the open and moving from village to village, it may have had the mildly pejorative sense of hedge- in Middle English (hedge-priest, etc.), suggesting an itinerant sleeping under bushes, perhaps. The same word could have contained all three senses before being reduced to its modern one
spondere ligar prender
De resto as Sabinas foram tornadas esposas por captura e violação, logo o direito romano que dava ao Pater direito de vida ou de morte sobre toda a família, inclusive de a vender, é um direito falocrático.
c.1200, "a married person, either one of a married pair, but especially a married woman in relation to her husband," also "Christ or God as the spiritual husband of the soul, the church, etc.," also "marriage, the wedded state," from Old French spous (fem. spouse) "marriage partner," variant of espous/espouse (Modern French épous/épouse), from Latin sponsus "bridegroom" (fem. sponsa "bride"), literally "betrothed," from masc. and fem. past participle of spondere "to bind oneself, promise solemnly," from PIE *spend- "to make an offering, perform a rite" (see spondee). Spouse-breach (early 13c.) was an old name for "adultery."
Esposas em español e em português era a palavra para as correntes dos escravos e condenados às galés.
De resto os esponsais eram e ainda são um contrato entre os pais que vendem a noiva, embora não se aceitem já vacas em troca.
Mas os paquistaneses e nigerianos costumam pagar em dólares, NOS ANOS 80 vendiAM-SE Dos 12 AOS 16 em troca de um fiat.
E no Portugal de ALBERTO JOÃO JARDIM UMA RAPARIGA DE 16 NO SÉCULO XXI FUGIU DO
c.1200, "a married person, either one of a married pair, but especially a married woman in relation to her husband," also "Christ or God as the spiritual husband of the soul, the church, etc.," also "marriage, the wedded state," from Old French spous (fem. spouse) "marriage partner," variant of espous/espouse (Modern French épous/épouse), from Latin sponsus "bridegroom" (fem. sponsa "bride"), literally "betrothed," from masc. and fem. past participle of spondere "to bind oneself, promise solemnly," from PIE *spend- "to make an offering, perform a rite" (see spondee). Spouse-breach (early 13c.) was an old name for "adultery."
Esposas em español e em português era a palavra para as correntes dos escravos e condenados às galés.
De resto os esponsais eram e ainda são um contrato entre os pais que vendem a noiva, embora não se aceitem já vacas em troca.
Mas os paquistaneses e nigerianos costumam pagar em dólares, NOS ANOS 80 vendiAM-SE Dos 12 AOS 16 em troca de um fiat.
E no Portugal de ALBERTO JOÃO JARDIM UMA RAPARIGA DE 16 NO SÉCULO XXI FUGIU DO
PROMETIDO ESPOSO UM ATRASADO MENTAL FILHO DE GENTE DE POSSES.....
io tu lui, lei, Lei, egli noi voi loro, Loro, essi | spendo spendi spende spendiamo spendete spendono |
vendredi 21 mars 2014
THE BLACK ADDER II - É BEM SABIDO QUE DEUS FEZ O HOMEM À SUA IMAGEM E ERA PÉSSIMO PARA OS CRISTÃOS OU PARA QUALQUER CRENTE NO DEUS ÚNICO À IMAGEM DO HOMEM QUE FOSSE PARECIDO CONTIGO....PORQUE VASCO DA GAMA ÉS FEIO COMO O CARALHO SE BEM QUE PARA A OPUS GAY PROVAVELMENTE SEJAS LINDO....
CUSPIR PALAVRAS É NATURAL
TENTAMOS PROIBIR OS PROCESSOS NATURAIS
CUSPIR É TABU
NÃO CUSPIR
NÃO MIJAR (APESAR DA URINA SER DAS COISAS MAIS ASSÉPTICAS QUE EXISTE
MAS PROPAGA O CHEIRO DO OUTRO DO ALIENÍGENA DO COMPETIDOR
NÃO CAGAR
OU SEJA PROIBIDO MARCAR TERRITÓRIO
ABRIR A BOCA É FEIO
PODE QUERER DIZER ALGO LOGO BOCA FECHADA É MELHOR
ARROTAR É FEIO SIGNIFICA QUE PERTENCE À CLASSE COM EXCESSO ALIMENTAR
O CIVILIZADO NÃO COSPE
QUAL É O PECADO DE CUSPIR
PROFANAR O TABU
TENTAR QUEBRAR O DOGMA
TO find the secret of the lost causality or the casual in the causal c'est la même chose
the power and value of dogmatic control's or con troll's is INEXHAUSTIBLE
IN the bible belt....
to each individual an economic dogma
divendres, 21 març de 2014
EEC IS EUROZONE ECONOMIC CASUALITY? THE SUBLIMINAL ECONOMIC SOCIETY WHERE ECONOMIC CAUSALITY IS A COMPLEX OR A SIMPLEX JE NE SAIS PAS PAPA - BY PAPA DOC DUVALIER
THE BLACK ADDER III
ENTÃO NÃO É BOM SER PRINCE OF WALES?
NÃ É UMA TERRA ONDE É PRECISO TER MONTES DE CATARRO
PARA PRONUNCIAR OS NOMES
E NEM SE PODE PERGUNTAR O CAMINHO
OU TEMOS DE TIRAR PERDIGOTOS DO CABELO
TENTAMOS PROIBIR OS PROCESSOS NATURAIS
CUSPIR É TABU
NÃO CUSPIR
NÃO MIJAR (APESAR DA URINA SER DAS COISAS MAIS ASSÉPTICAS QUE EXISTE
MAS PROPAGA O CHEIRO DO OUTRO DO ALIENÍGENA DO COMPETIDOR
NÃO CAGAR
OU SEJA PROIBIDO MARCAR TERRITÓRIO
ABRIR A BOCA É FEIO
PODE QUERER DIZER ALGO LOGO BOCA FECHADA É MELHOR
ARROTAR É FEIO SIGNIFICA QUE PERTENCE À CLASSE COM EXCESSO ALIMENTAR
O CIVILIZADO NÃO COSPE
QUAL É O PECADO DE CUSPIR
PROFANAR O TABU
TENTAR QUEBRAR O DOGMA
TO find the secret of the lost causality or the casual in the causal c'est la même chose
the power and value of dogmatic control's or con troll's is INEXHAUSTIBLE
IN the bible belt....
to each individual an economic dogma
divendres, 21 març de 2014
EEC IS EUROZONE ECONOMIC CASUALITY? THE SUBLIMINAL ECONOMIC SOCIETY WHERE ECONOMIC CAUSALITY IS A COMPLEX OR A SIMPLEX JE NE SAIS PAS PAPA - BY PAPA DOC DUVALIER
THE BLACK ADDER III
ENTÃO NÃO É BOM SER PRINCE OF WALES?
NÃ É UMA TERRA ONDE É PRECISO TER MONTES DE CATARRO
PARA PRONUNCIAR OS NOMES
E NEM SE PODE PERGUNTAR O CAMINHO
OU TEMOS DE TIRAR PERDIGOTOS DO CABELO
jeudi 6 février 2014
MITOS ALTERNATIVOS DA CRIAÇÃO OU ALTERNE NATIVOS DAS MÁS CREAÇÕES UMA MITOMANIA DESSAS POR KRIPPAHL DE TODAS AS CUNHAS....
THE UNPLEASANT PROFESSION OF JONATHAN HOAG
UM ARTISTA CRIOU O MUNDO
INICIALMENTE UNS SERES POVOAM O UNIVERSO
MAS O MESTRE DO ARTISTA DESAPROVA A CRIAÇÃO OU A MÁ CREAÇÃO
E O ARTISTA MASCARA O ORIGINAL COM NOVOS HABITANTES
MAS O PÚBLICO APERCEBEU-SE AND MISTER HOAG IS AN ART CRITIC
QUE VAI DECIDIR SE A OBRA PERMANECE OU VAI SER DESTRUÍDA
UM ARTISTA CRIOU O MUNDO
INICIALMENTE UNS SERES POVOAM O UNIVERSO
MAS O MESTRE DO ARTISTA DESAPROVA A CRIAÇÃO OU A MÁ CREAÇÃO
E O ARTISTA MASCARA O ORIGINAL COM NOVOS HABITANTES
MAS O PÚBLICO APERCEBEU-SE AND MISTER HOAG IS AN ART CRITIC
QUE VAI DECIDIR SE A OBRA PERMANECE OU VAI SER DESTRUÍDA
October 1942
A man comes to an investigator with an odd request: he wants to have himself followed, because he has no idea what his own profession is.
The story evolves into a discussion of the reality of both life and art.
Jonathan Hoag, a lover of art and fine dining living in Chicago, realizes that he has no memory of his daytime activities when asked, at an evening dinner, what he does for a living.
Furthermore, when he washes his hands in the evening, he discovers a red-brown substance, possibly dried blood, under his fingernails.
He contacts a detective agency, Randall & Craig, and asks them to follow him during the day.
The partners, actually the husband and wife team of Ted and Cynthia Randall, agree to this.
The mystery begins immediately: they routinely try to collect fingerprints from their client, but find that Hoag left none, even when not wearing gloves.
Such memories as Jonathan Hoag has turn out to be false, except for his home address, and a doctor, Potiphar T. Potbury, whom Hoag consulted about the substance under his fingernails.
The doctor had thrown him out of his office and told him not to return.
The first time the pair tails Hoag, Cynthia sees him turn and talk to her husband.
Then Cynthia is menaced by Hoag after she tails him in an office building.
GIVE HIM A SLAP TO SHUT HIS TRAP: THE LAST ONE HOME'S A DIRTY JAP
AT HIS WORK? OBVIOUSLY -BUT WHAT DID HE DO IN THE DAYTIME?
HE DID NOT KNOW...HE RETURNS HOME 6:00 PM
HE MIGHT NOT RECALL HIS PROFESSION, HIS PROFESSION HAD CERTAINLY NOT FORGOTTEN HIM
When she is reunited with Ted, he tells her that he had a completely different experience: after uneventfully tailing Hoag into the building and up to Hoag's office on the thirteenth floor of the Acme building,
Ted discovers that Hoag is a jeweler working for a company called Detheridge & Co., and that the red substance is jeweler's rouge
Both realize that something is terribly wrong, especially once they discover that the building has no thirteenth floor.
Ted has a series of "dreams" in which he is taken through a mirror into the offices of Detheridge & Co., where he is told to leave Hoag alone by an assembly of conservative businessmen. He ignores the dreams, until in one final dream Cynthia is taken through as well.
The businessmen reveal themselves as "Sons of the Bird", disciples of an old pagan religion; Hoag is a nemesis of theirs.
They cause something to be sucked out of Cynthia into a bottle, and return her and Ted to their apartment.
Ted wakes up to find Cynthia in an apparent coma.
He realizes that the dreams were true, and in a manic burst of activity, paints over all the mirrors in the apartment.
He then calls Potbury, the only doctor he knows, to come and examine Cynthia. Potbury diagnoses her with lethargica gravis, but when Ted repeats the mantra of the Sons of the Bird to him, "The Bird is Cruel!", Potbury covers his face just as the Sons did. Realizing Potbury is one of them, Ted overpowers him and locks him in the bathroom.
He calls Hoag, who comes to the apartment. Told about Potbury, Hoag says that lethargica gravis is just a way of saying "deep sleep". They open the bathroom door, only to find that Potbury is gone, and the mirror has been scraped free of paint with a razor. However they find a bottle in Potbury's black bag. When they open it, Cynthia revives.
To solve the mystery once and for all, they take Hoag to their office and subject him to questioning under drugs. After a few questions, Hoag wakes up with a strong, dominant personality—completely different from the nervous, weak man they have heretofore worked with. He declares the session over, and tells them to meet him later in a park just outside the city. He gives them a list of things to bring, and leaves them in a state of some puzzlement.
Reaching the park, with the collection of fine foods and wines Hoag requested, Ted and Cynthia find him there. They picnic on the epicurean fare, and Hoag tells them he is an art critic. The art in question is their entire world, created by an "artist" as a student project.
Critics live as inhabitants in the world, not knowing they are Critics, in order to judge the experiences. One such experience is eating and drinking, as Hoag points out, since the simple act of gaining energy to live had not been thought of as an "experience" previously. Another is sex, but this is thought to be ridiculous until Hoag realizes that it is the basis for "the tragedy of human love" that he sees between Ted and Cynthia. Hoag's artistic judgment is that, while there is much that is amateurish in the world, overall its Creator has real promise.
The Sons of the Bird are responsible for all the things that Ted and Cynthia have seen, including the times they saw Hoag during the day. They only encountered the real Hoag in their home and office. The Sons were an early artistic mistake, hurriedly "painted over" rather than eliminated in the rush to complete the work, but still holding power. Now they are to be expunged completely. Hoag was recruited to report on them; the substance under his fingernails is their ichor, placed there to make them fearful.
Hoag tells the couple to leave the city, not stopping to talk to anyone on the way. He places one last grape in his mouth, and then becomes still. Leaving his inert body, the two drive through town, but finally yield to the urge to tell someone about Hoag's body. When they roll down their car windows, however, all that is outside their automobile is a pulsing, luminous mist, though all the other windows show an apparently normal scene. They drive on in a state of shock.
In the epilogue, the Randalls now live in an unnamed remote rural area by the sea.
vendredi 24 janvier 2014
ACREDITO PROFUNDAMENTE EM POLÍTICOS INTELIGENTES COM CAPACIDADES ARGUMENTATIVAS AO NÍVEL DA MÉDIA DO FREQUENTADOR DE CAFÉS E ATÉ CAPAZES DE ALGUM SENSO MAIS OU MENOS COMUM - ACREDITO PIAMENTE NISTO APESAR DE NUNCA TER VISTO UMA ALIMÁRIA DESTAS
E POLÍTICOS EM SÃO BENTO S'ABRIGAVAM
ARGUMENTOS TÃO FORTES ASSOPRAVAM
REMANDO CONTRA A MARÉ NEOLOGISTA
NAVEGAM COM GOLPES DE BOA VISTA
POIS BONS OLHOS O VEJAM MINISTRO
E VIZINHOS EM BANDO SE AJUNTARAM
COM QUALQUER COUSA DE SINISTRO
E CONTRA O GAJO S'ALEVANTARAM
ESTAIS ASSASSINANDO A CIÊNCIA
Ó RELES E VIL CANALHA DESABRIDO
ONDE GUARDAIS VÓS A DECÊNCIA
MATAR O QUE A NÓS É TÃO QUERIDO
A CIÊNCIA NASCE DA EXPERIÊNCIA
DA BARBA QUASE BRANCA E ESPESSA
NAS PRAXES TRIBUTO À DECADÊNCIA
QUE NEURÓNIOS MATA SEM PRESSA
A PRAXE É COMO AS TOURADAS
UMA CIÊNCIA COM AGUARDENTE
CHUSMAS BEM EMBRIAGADAS
NUMA TRADIÇÃO DEMENTE
ARGUMENTOS TÃO FORTES ASSOPRAVAM
REMANDO CONTRA A MARÉ NEOLOGISTA
NAVEGAM COM GOLPES DE BOA VISTA
POIS BONS OLHOS O VEJAM MINISTRO
E VIZINHOS EM BANDO SE AJUNTARAM
COM QUALQUER COUSA DE SINISTRO
E CONTRA O GAJO S'ALEVANTARAM
ESTAIS ASSASSINANDO A CIÊNCIA
Ó RELES E VIL CANALHA DESABRIDO
ONDE GUARDAIS VÓS A DECÊNCIA
MATAR O QUE A NÓS É TÃO QUERIDO
A CIÊNCIA NASCE DA EXPERIÊNCIA
DA BARBA QUASE BRANCA E ESPESSA
NAS PRAXES TRIBUTO À DECADÊNCIA
QUE NEURÓNIOS MATA SEM PRESSA
A PRAXE É COMO AS TOURADAS
UMA CIÊNCIA COM AGUARDENTE
CHUSMAS BEM EMBRIAGADAS
NUMA TRADIÇÃO DEMENTE
Inscription à :
Articles (Atom)